I grew up in Calicut, watching more films than was probably healthy. At some point that turned into a question I couldn't drop: what does it feel like from the other side of the camera. So I picked one up, and never really put it down.
Six years, seventy plus projects and a few thousand hours of edited footage later, I'm now based in Bengaluru, working across fashion, automobiles, music videos, documentary and event coverage. Every project starts the same way: figure out what the moment actually feels like, then build everything around protecting that feeling through the shoot and the edit.
I'm not precious about gear or workflow. I'm precious about the frame that makes someone feel something they weren't expecting to feel.
When I'm not on a shoot or in the edit bay, I'm usually still holding a camera, just pointed at something with no client and no deadline. A few of those frames are in the gallery below.
